I don’t care how weird it sounds to say, this is the entry I
was looking forward to all month.
Not because it’s the end of the month – though this has got
me itching to get back to working on this site with more regularity – but because
I was looking forward to finally checking these books out first hand.
For a long time, these sequels were something I had only
known about in passing. In fact, for the better part of several years, there
was only one thing I knew for certain about them – when faced with the question
of ‘What do we do now that Damien’s dead?’, Gordon McGill’s solution was, and I
say this with only the slightest shred of irony, to pull his answer out of
someone’s ass.
No. Really. If you’ve heard of these books before this,
chances are, it’s largely thanks to the genuinely bizarre origin story they
give to their newest antagonist, Damien’s offspring known in the fourth book
only as The Abomination before taking on his father’s namesake in the final
installment.
For anyone who hasn’t heard this and is wondering what the
Hell I’m getting at…well, let’s just rip the band-aid off: as the book sequels
present matters, the scene in The Final Conflict between Damien and Kate
Reynolds – I’m reluctant to call it a love scene because there is a VERY rapey
vibe during it – was carried out through anal sex that then led to Kate giving
birth to the Abomination via--I know, I know. Human anatomy doesn’t work that way. At all. It’s part of why
these books have been on my ‘Now this I’ve gotta see’ radar.
As I worked my way through the first three books getting to
these, with their own weird elements worked in, I was genuinely starting to
look more forward to them than I was the movies. And having completed the five-book
cycle – it’s one of the high points of this month’s run.
Let’s be clear – the crazy is there. Quite a few other
examples of it too, things like a priest being buried alive by dogs, The
Abomination praying to Damien’s embalmed corpse, and the fourth book’s finale,
which combines nuclear war with an act of betrayal that’s one part The Passion
of the Christ and one-part Weekend at Bernie’s.
Amid all the craziness, the story McGill puts together, to
my pleasant surprise, works as a next step for the series, both in terms of
sticking to Bernhard’s ‘let the Bible be a road map’ method, as well as just
presenting (relatively) logical growth of established plotlines to this point.
It also helps that McGill avoids the mistake The Awakening
made – he realizes you can’t just redo the first movie. Instead, we follow the
Abomination as a teenager coming into his own with his identity already all
sorted out to his followers. We still have outsiders trying to piece things
together, but the book also presents much of it in a way that says to the
readers ‘yeah, you’ve been on this ride for the past three novels; you already
know the score.’
To that end, The Abomination isn’t just a younger Damien –
though he shares his father’s looks and abilities, and later his name, it’s
established early on that he doesn’t share his father’s goals. Where Damien
seeks to rule, using chaos to unite all of humanity under his rule, the
Abomination wants destruction, seeking to use his father’s instruments of chaos
to plunge humanity into one final, fatal war.
If I’m being perfectly honest, a lot of the positive points
I’ve mentioned are more confined to Armageddon 2000, the fourth book in the
series. This isn’t to say that the last novel, The Abomination is bad, but it
is the weaker of the two. For lack of a better term for it, the problem with
The Abomination as a book is, after the ambitious effort to continue the series
in Armageddon 2000, The Abomination feels more like a victory lap. It has some
memorable pieces to it, including two memorable crucifix-related deaths, but
much of the story feels like it’s repeating the beats of the fourth book to
diminished returns.
Even the finale, save for an eleventh hour return by a
character that lands on the wilder side of these books’ plot points, mostly
feels like a more drawn out version of the previous finale, with the betrayal
lacking the same interesting rationale behind it that the prior entry offered.
It’s still not a bad read on its own, particularly if you
wish to complete the series and see all the plot points wrapped up, but it feels
like a step down after the weird, yet entertaining, outing that Armageddon 2000
brings to the table.
It’s a shame these weren’t the stories that got tapped to
continue the brand on screen. That first reveal would be a tricky one to pull
off – it’s worth noting McGill goes for a book and a half of couching the
origins in vague references before finally just putting out on the table in The
Abomination, albeit in tasteful wording – but in the right hands, it could have been presented in a way
that still fit the feel of the earlier movies.
Or even if they just leaned in to the oddity and stepped on
the gas, it would have at least been more entertaining from a sheer ‘we’re
actually going there’ perspective than the lackluster reheat we did get.
But that’s, if you’ll excuse the term considering how I
started this, hindsight for you.
If you feel curious about these books, either for the
closure, the alternate ending compared to that fourth movie, or just for the
odd elements like butt birth and corpse hauling, I’d say they’re worth trying
to track down. They’re quick reads, and even if your library doesn’t have them
(check them first), they’re easy to find cheap on the second-hand market.
Don't feel too discouraged if your library doesn't have much luck with these. I'm not entirely clear if The Abomination got an American release or not. But, again, you can find the British versions cheap enough. And by cheap enough, I mean shipping will likely cost more than the book itself.
And with that, I can now bring this month to a close. This
was an interesting ride. A change from Phantasm last year, but not necessarily
a bad one, even with my grievances along the way.
As I said before, I’m finally getting back into a feel for
this again. So look here soon, there is more coming. Some horror, some
otherwise.
Feels good to be back, and a Happy Halloween to you all.
Feels good to be back, and a Happy Halloween to you all.
Till next time.
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